宫调溶溶，谛观浮华岁月的无尽苍凉。

Melodious tunes, gaze into the endless desolation under the cope of specious ages.

三是第一次将自宋至元的燕乐曲子按宫调进行了仔细的梳理。

Thirdly, it has put Yan Music in order from the Song Dynasty to the Yuan Dynasty attentively.

筝调实践所反映出来的两个侧重，印证了中国宫调理论中“调系”与“均系”的并存。

Meanwhile, the two systems are reflected in the process of practice of Zheng tones, which prove the existence of Diaosheng and Yungong system in the Chinese Gongdiao theory.