因此，比较文学研究应从共通性转向差异性。

So the comparative literature research should turn from commonness to difference.

第一章节探讨绘画元素与电影语言的共通性。

The first chapter tries to find out the aesthetic principles that applicable to both painting element and film language.

并通过对比得出现象学与中国古代哲学的共通性。

Moreover, proved the resemblance between the phenomenology and ancient philosophy in China.

他们词论最大的共通性在于，都在努力地推尊词体，维护词体高雅的格调。

The largest consistence of their discussion is to respect Ci style, and defend its exquisite style.