翻译美学作为一个系统的理论，《边城》作为一首美学价值极高的田园牧歌，两者的结合顺乎自然。

With translation aesthetics as a systematic whole, and Biancheng as a pastoral with superb aesthetic value, the unity between them seems a natural marriage.

同时构思又富于想象，造型有大幅度的夸张变形，装饰手法更随意而顺乎自然，洋溢着浓厚的浪漫气息和装饰性。

We find rich imaginations in its composition and sharp exaggeration in shaping, and romantic and decorative air in its free and natural decoupage.