《花腔》和《第二十二条军规》采用回旋式的叙述方式，穿插众多人物传记，展示了社会各个层面上的关系。

HuaOiang and Catch 22 adopted the narrative method of Maneuver, inserted numerous biography of characters, revealed relationship of various levels of the society.

《花腔》和《第二十二条军规》从不同的叙述角度表现了冷酷中的黑色幽默，以戏仿讽刺不合理的现象。

HuaOiang and Catch 22 presented black humor in grim from different narrative angles, ridiculed unreasonable phenomenon by parody.

约瑟夫•海勒的黑色幽默小说《第二十二条军规》里最黑暗的人物是米洛•明德宾德，他是一个职务卑微的司务长，另一面他却经营者一个庞大的商业帝国，M&M企业集团。

THE darkest character in Joseph Heller's dark novel, "Catch-22", is Milo Minderbinder, a lowly mess officer who runs a huge business empire, M&M Enterprises, on the side.