剧情自由发展，不受古典”三一律”（地点、时间与情节的一致）的限制。

The action is developed freely, without being hindered by the rules of the classical unities (place, time and action).

进入现代认识型以后，人们通过创造概念否定了“三一律”，而且通过把悲剧性和人物形象塑造置于悲剧艺术中心，从而彻底颠覆了亚里士多德以来的情节中心论。

In modern period, we not only denied "the Three Unites" by creation, but also completely subvert the Alstotle plot centre by focusing on the tragic and tragic character.