主张以寂寞真淳之心写忧愤清刚之情，在风格上寻找天然风韵与万古英雄之气的统一，似乎在摆脱以“风骨”为特色的格调论，返回到对诗文豪气的推崇。

He looked for combining between natural style and forever hero characters which seemed to escape from the traditional style-fenggu, returned to adoring on hero characters.