第四部分论述了梁启超人生审美化思想的当代意义。

The last part disserts the contemporary significance of Liang's life aesthetic thought.

消费社会促生了以“物质审美化与审美物质化”为核心的日常生活美学。

The consuming society favors the living aesthetics whose core is "material aestheticized and aesthetics materialized".

它作为社会化、商业化、审美化的人类文化载体，正以迅雷不及掩耳之势，侵透著我们的日常生活。

As human beings culture medium of socialization, commercialization, it has pervaded into our daily life at an unexpected speed.

体道精神的自由超拔和了无牵挂，在古代艺术意境当中皆有显现，同时也成就了国人艺术化和审美化的人生。

The nature of Dao theory on "being free from care"not only exists in the artistic mood in ancient China also make Chinese achieve an artistic and aesthetic life.