第一章，对歌仔戏及其生存环境作简要概括。

The first chapter, a brief summary of the Gezi Opera and its living environment.

本文从多学科的视角分析歌仔戏唱腔音乐，以期更客观地认识、把握歌仔戏这一特殊戏曲剧种音乐的创腔规律。

The thesis analyzes the music of Gezi Opera using the multi-subjects viewing Angle, and aims to understand and grasp the law of Gezi Opera's music more objectively.

为什么透过歌仔戏的唱念作打，剧情内容可以变得丰富又生动？

Why can Ge-Zai opera make the plots more abundant and colourful through singing, chanting, gesturing , and fighting?

二十几岁才开始走入歌仔戏的世界，这位是“祖师爷的女儿”，将会我们讲述她怎样的故事。

Twenties began into the opera world, this is the "ancestral home of her daughter," how will we tell her story.

本文从独具闽南特色的地方音乐出发，阐述了闽南音乐如高甲戏、芗剧（歌仔戏）、南曲、布袋戏等众多音乐种类频繁赴东南亚演出的历史。

Taking local music with South Fujian characteristics as starting point, the paper expounds the history of various genres of South Fujian music frequently performing in Southeast Asia.